The artistic journey of Alberto Giacometti (1901–1966), an iconic twentieth-century artist, was quite unique. In the 1920s he joined the Cubist movement, then in its closing years, before going on to become the embodiment of the ultimate Surrealist sculptor. After World War II however, as abstraction was gaining ascendancy on both sides of the Atlantic, he held to his own approach (which he shared with a few others) – that of figurative art. His was an extraordinary path. He was greatly esteemed for his famous portrayals of humankind, both wounded and undergoing change; he was in tune with existentialist thought; and he was the creator of an art that reflected recent history with its war, massacres and anxiety over the nuclear threat.
He was a humanist, totally absorbed in his work, but he was also a man of his time, a social creature whose creative work must be read in the various contexts that surrounded him: the circle of artists, writers and philosophers he frequented, the younger generation that visited him, the photographers that took his picture, and the galleries he exhibited in and for which he developed the staging design, such as at the Galerie Maeght in 1951. This exhibition aims to bring to the fore all these aspects, which came together in his response to the great artistic and philosophical questions of his time, from late Surrealism to the beginnings of Existentialist thought.
The exhibition is primarily composed of works loaned by the Fondation Giacometti, which preserves artworks that the artist retained throughout his life. It brings together some one hundred emblematic works such as Women with Chariot (ca. 1945), The Cage (1950), Walking Man II (1960), and Tall Woman I (1960), as well as a collection of paintings, drawings on magazines, photographs and archival material, thus creating a vast account of the artist as a key actor in the post-war world, through his artworks, connections with the intellectual and artistic world of the time, exhibitions and writings.
In a continuation of the exhibition, a contemporary section generates encounters between Giacometti and artists of today, around the action of the “Walking Man”, exploring its downfalls but also the hope it continues to hold. With works from: Pilar Albarracin, Claude Cattelain, Esther Ferrer, Regina José Galindo, Mona Hatoum, Rebecca Horn, Hiwa K, Kubra Khademi, Éric Pougeau, José Alejandro Restrepo.
In addition to the main exhibition, E.R.O.S (1959): The Story of a Surrealist Exhibition through the Daniel Cordier Collection takes visitors on a journey to the eighth Exposition inteRnatiOnale du Surréalisme, which was presented in Cordier’s gallery in 1959 and in which Alberto Giacometti participated.
An exhibition co-organised with the Fondation Giacometti.
About Fondation Giacometti
The Fondation Giacometti is a private foundation of public utility created in 2003. It is the universal legatee of Annette Giacometti, the artist's widow, and owns the world's largest collection of works by Alberto Giacometti, with nearly 10,000 works and objects. Based in Paris, it is directed by Catherine Grenier, general curator of heritage and art historian.
The Giacometti Foundation aims to protect, disseminate and promote the work of Giacometti. It organises exhibitions, grants loans in France and abroad, and organises the authentication committee for the artist's works. The Giacometti Institute is the current exhibition space of the Giacometti Foundation, which is also dedicated to art history research and education.
Exhibition with the support of the City of Toulouse / Toulouse Métropole.
Exhibition:
[Giacometti's years]
22.09.2023 - 21.01.2024
76 allées Charles de Fitte - Tolosa de Llenguadoc
[Israel Shenker, "Alberto Giacometti in his exhibition, Galerie Maeght", 1951, photographie Fondation Giacometti © D.R. / Alberto Giacometti, "Walking Man II", 1960, Plaster – 188.5 x 29.1 x 111.2 cm ; Fondation Giacometti © Succession Alberto Giacometti Adagp, Paris 2023].
